Monday, February 19, 2024

The Spy at Château Bas, by Dorothy Bowers 1927

In my updated biography of Dorothy Bowers there was mention of Bowers' only known short story. 'The Spy At Chateau Bas' was published in The English Review in the May 1927 issue (starting at page 619). The English Review was a literary magazine that ran from 1908 till 1937, publishing short stories and other forms by leading authors, but was never a financial success and was in decline from the end of World War One.

Advertisements for the May 1927 issue in British newspapers included a listing of contents, which were mainly essays of a political and current affairs nature, with only two stories (the other being by Roy Meldrum).


The Scotsman - Thursday 05 May 1927


I have transcribed the story below ; the first time the text has been made available on the web. My plan is to publish a small number of copies at some point to share with friends. Rather than share my opinion on this short story, I'd love to hear from others on what they think of the story. 

As a girl Bowers attended "French convent school, where she acquired method, precision, and an abiding delight in the orderly and formal arrangement of ideas, and even of material objects - a sense of pattern and symmetry". We do not know where this school was, and there is undoubtedly some influence on this story. It is possible that Bowers herself re-visited her old stomping ground post-war as described in the story.

The story is set at a farmhouse called Chateau Bas about four miles from Rochefort in the Ardennes region of Belgium (and not the Rochefort located on south-west France). There is a 'Chateau Bas' in France, but it is the remains of a Roman temple located in the Provence-Alpes-Côte d'Azur region.





The Spy at Château Bas
By Dorothy Bowers
The English Review, May 1927

IN the late summer of 1924 I revisited Château Bas, a hamlet some four miles east of Rochefort, in the Ardennes. I had last seen it ten years ago, touched to lurid life by the quickening glare of war, compelled, as it were, to unwonted activity by the clamour of guns, somewhat in the manner of a country wench drawn involuntarily into the vortex of city life.

For years Château Bas and its vivid memories slept, till the shackles of the old pre-war existence began to slip uneasily into place once more. Then it was, in the cramped confines of London business life, that I experienced a craving home-sickness for those blood-soaked fields where the youth of Europe had died. In reply to a letter tinged more heavily than I had suspected with regret for old times, a friend in Rochefort, who had lost an arm at Mulhouse, sent the necessary invitation. In September I trod once again a land whose very air had been thick with agony and passion.

It had been no preconcerted plan of mine to visit Château Bas itself, yet it seemed a matter of course that our steps should be bent in that direction one afternoon when my holiday was still little more than a week old.

It lay in a cup of the hills, placid and beautiful, as it must have looked in the autumn of 1913, only that charred, fragmentary ruins showed up at intervals like scars on the body of some quiet warrior. A young girl with dark, cloudy eyes and a mass of bronze hair passed us on the road, a basket of smooth, yellow pears on her arm, and a bunch of little children playing in the dust looked up at us with grave-, wide eyes that had never flinched from the horrors of war.

Mellow October sunlight washed the hedges, where delicate, dew-laden cobwebs still swung in shady recesses, or slid caressingly down whitewashed walls and mossy roofs. Above us a pale, clean sky arched, a little misty, cloudless and serene.

We had come within sight of a low, solitary farm­house, obviously inhabited, but slatternly and decayed, with a sullen air about it and no one stirring. As we approached the weed-grown strip of garden in front, where dank coarse grass mingled with the flaunting courage of blue Michaelmas daisies and a great clump of Golden Rod, some memory stirred within me. A few belated honey bees buzzed in little eddies round the fading plumes of Golden Rod, and with a hand on the broken paling, I paused and looked at Dupont.

"Who lives here?" I asked, and only half-listened to his reply.

''Maximilien - a farmer, and his wife - careless, dirty folk."

I was thinking, thinking rapidly. A blazing, dust­clogged day in September, ten years ago, passed effortlessly before my mental vision, and I saw again a straggling score or so of British soldiers, thirsty, disillusioned, who had tramped this road. There had been an old woman at the gate, beside the Michaelmas daisies and the Golden Rod, and the long, choking grass - a withered, immobile figure who had watched us with still, dark gaze and, as the foremost drew abreast, proffered a broken basket filled with ripe greengages, the while she nodded and smiled her wordless sympathy. Greengages for cracked and arid lips, more than enough to go round! A little thing to stick in one's memory for ten eventful years, you say? Yes, but it had been extraordinarily refreshing and pleasant. I turned to Dupont again.

"An old woman!” I said. "Wasn't there an old woman here then?''

"Ah, yes," he replied. "You mean Mère Maximilien." He gave his head an explanatory jerk in the direction of the lifeless windows. "His grandmother, you know. She died - rather odd circumstances, yet commonplace enough, God knows!”

On the way back to Rochefort he gave me the story, quietly, as such a story should be given.

. . . . . . .

In 1914 there were three people living on the farm ­ Jean Maximilien, his wife Suzanne, and Jean's grand­mother, known as Mère Maximilien.

Jean was a lazy ne'er-do-well, a little over thirty, with a paralysed arm which kept him out of the army. He sulked and slouched his way through life from dawn till dusk, with a savage, unformed desire to make himself comfortable at all costs, and a complete disregard of the welfare of the farm and of those around him.  His wife, a stolid, placid creature, older than himself, silently acquiesced in the slovenliness of house, land, and husband, and increased Jean's natural irritability by the bovine attention she paid to his wants. They were childless, the only other person in the house being the central figure of my story, Mère Maximilien.

Mère Maximilien was seventy-six years old in 1914 and, though deaf and dumb from birth, had been a fine, healthy woman when Simon Maximilien married her, a half-century or more ago. One summer morning Simon fell from a hay-wagon and broke his spine. When he died the farm went to her eldest son, and while still worked with comparative care, seemed to lose, under the new regime, something of its old trim fecundity. Mère Maximilien's deafness increased with years, and though still strong and capable, she retired more and more into the background. In the winter of 1908 the son had succumbed to a severe bout of pneumonia, and land and house passed automatically into the negligent hands of the young, dissolute, unlovable Jean, his only child.

Dark years closed down on Mère Maximilien and the farm at Château Bas. Jean was no farmer, and he hated his grandmother. He loathed her helplessness, the abiding calm of her movements, the eternal silence of her slow approaches and withdrawals. Complete deafness had enclosed her like a vault before she was seventy, and a stroke a year or so later deprived her mentality of its once lissome alertness. "Half-witted," they said in the village, with a shrug of the shoulders, and it was indeed true that she had now lost the power of expressing herself by the conversation of the fingers, in the voiceless manner of the dumb.

Jean's hatred grew with the intensity only possible to a mind extraordinarily limited in its emotional range. He loathed with an indefinable fear the direct reproach of her level, dark gaze, the more piercing because word­less. He detested her immobility, the grave, attentive attitude of one completely detached from the world, yet always in it.

Most of her time was spent in the kitchen, beside the great hearth, her wrinkled hands in her lap, and a brindled cat, lean, with yellow eyes, at her feet. The stare of both was unwinking, hard  to  fathom. Sometimes Mère Maximilien would smile, a slow lift of the lips which seemed somehow to age her still more terribly, and in which the seething rancour of Jean detected a gleam of sardonic triumph.  On sunny days she would walk as far as the garden gate, and stand there, like some guardian of dead relics. Passers-by went on, unheeding, with never a word and often no glance.  A new generation had grown up to that which had known Mère Maximilien, a woman loved and honoured in Château Bas. She was nothing now to them but an old, mentally-deficient creature, scarcely a woman, deaf and dumb, and therefore beyond folks' reach by the ordinary channels of human intercourse.

So months slid by in Château Bas, and she who heard nothing, spoke no word, shared none of the squalid activities of the farm, dominated house and inhabitants alike. So, no doubt, things would have gone on till the quiet earth, as voiceless as herself, had claimed Mère Maximilien, had not the war laid a blood-smeared hand on lovely Ardennes, and one finger of it on the becalmed hush of Château Bas.

At first Jean Maximilien, out of savage perversity, welcomed news of war; at last this sleepy existence which he detested while acquiescing in it would receive a rude awakening. Then, gradually, he grew to hate it, not for obvious reasons, but because he could not share in it. The realization that he was to miss the zest and thrill of the most primitive of man's pastimes, the one chance of escape from the stifling atmosphere of Château Bas, his cow-like wife, and his detestable grandmother, soured him afresh. While others, even his own man-of-all­work, assumed the peculiar importance attached to the uniform and bearing of a poilu, he was doomed by a withered arm to stick for ever in the mud of Château Bas, among cows and pigs and oafish women. Fettered for ever to Château Bas, he grew to hate the war, soldiers, France itself. His sullen face would settle into a sneer whenever he heard remarks about la patrie. How could one be expected to serve the country, or take any interest in the country, when all one's time from bleak dawn to bleaker dusk was filled with feeding thankless pigs and hens, and keeping life in the unresponsive carcasses of two fools of women?
 
So Jean argued, tramping muddy acres in the winter of 1914, the while he dreamed incessantly of adventure and fine deeds and a Croix de Guerre never to be his.

With the New Year occurred events which were to break for a brief but glorious span the humdrum of Jean's life, and give significance to the neglected farm at Château Bas.

Late one gusty night in January, a French officer and three soldiers, riding up to the farm, billeted themselves on the Maximiliens, with vague remarks about rejoining their regiment in a week's time. Had the explanations been more lucid, they would have penetrated Jean's thick skull scarcely farther. All he grasped was that a gleam of Romance had shone upon the farm, which was to shelter for seven blissful days a French capitaine and three brave poilus. For the first time in his life Jean Maximilien became voluble, and seemed swayed by emotions other than hatred. Even his grandmother would be unable to mar the joy of that week, for she had retired to bed, as was her wont periodically, ailing and wasted, but still immobile. Jean always hoped she would die at one such time. Hasty explanations that there was only an old woman in the house, ill in bed, besides himself and Suzanne, and that they would do all in their power to make messieurs comfortable, sufficed. Jean prepared for an exciting week, and took stock of his guests.

Monsieur le Capitaine was a tall, blond man, with quiet, but alert eyes, and a mouth like steel. Jean understood his name was Hanchette. The other three were jolly enough fellows - one, a corporal, fair and rather stout, the others a pair of dark, lithe privates, typically French. Capt. Hanchette was not jolly, nor communicative, but an austere man, with decisive voice and manners. He proved coldly indifferent to Jean's ingratiating attempts at conversation, and was apparently bored by the farmer's generous information regarding the passage of French troops through the hamlet on their way to Namur last week, and the excitement of the admiring villagers. Jean soon abandoned his efforts to beat down the icy reserve of the captain and turned his attention to his less impregnable men. They proved companionable, jocose, eager to receive and impart news, and with an amazing store of anecdotes, some of doubtful flavour, but all related in a back-slapping, disarming manner. The walls of the farmhouse at Château Bas echoed unfamiliarly to reiterated bursts of masculine laughter. Was not Jean at last a link with those brave poilus who were safeguarding France and liberty in the red light of the guns a few miles away?

The week, however, drew too quickly to its close, and towards the end Jean grew irritable again. Perhaps it is true that familiarity breeds contempt, for he certainly sighed anew for fresh faces; or perhaps it was that Jean's old longing for uniform and gun took possession of him again. He began to feel acutely alien among these seasoned warriors; his civilian character assumed the proportions of a persistent demon, always at his side, silently mocking and thwarting him at every turn like Mère Maximilien.

His wife, who had remained curiously unaffected by these additions to her household, noted with growing dread the return of Jean's surliness, but her stony face betrayed nothing of the knowledge that was hers. Though she knew Jean would have liked to knock her down where she stood for no other reason than the annoyance her stupid presence gave him, she continued to move wearily and laboriously about her household duties, bovine resignation stamped upon her face. Upstairs lay an old woman oblivious to the world, knowing nothing of a French capitaine and three brave poilus in the house.

The last day came - a Tuesday, cold and still, with a rising fog; Jean would always remember every detail of that day. At the next dawn Capt. Hanchette and his men would depart, and blankness settle down once more on the farm of Château Bas. In the morning his wife had announced her intention of going to Rochefort for the day to see her dying mother, and had clung with so sudden and surprising an obstinacy to her resolution that Jean Maximilien had felt unable to combat it adequately, and let her go. The house, after all, he felt, could lose little by her absence, might even be slightly less depressing. 

The morning dragged itself out, and in the afternoon Jean went off to the fields as usual. The capitaine and his men were out, too, he did not know where, but as he left the byre he met them returning to the house. He had not thought of his grandmother all day; the last meal she had had Suzanne gave her before leaving that morning.

Mère Maximilien herself moved a little on the hard bed in her ill-kept bedroom. Her bout of illness was temporarily in abeyance, and half-formed ideas of being dressed and sitting downstairs again flitted across her shaky mind. Suzanne seemed a long time downstairs. Was it yesterday she had last seen someone? She felt suddenly hungry and lonely. She got her trembling old limbs out of bed and groped for familiar garments.

Jean, busy with dismal visions of a life stretched out for ever amid the unenlivening surroundings of Château Bas, trudged his way in the direction of the fields. Halfway, groping mechanically for his pipe, he felt an empty pocket, swore an oath, and turning on his heel tramped stolidly back to the house. Thus, by an instrument so humble as a tobacco-pipe, did Fate take a hand in men's lives at Château Bas.

Passing through the yard on his way to the back door, his footsteps muffled in the straw, Jean suddenly heard a low exclamation which arrested him in his stride as one petrified.

"Gott in Himmel!" came a voice, low and guttural, from the direction of the parlour window, and then, after a quick note of impatience from somebody else, continued in French, "We have them then."

Jean dropped on hands and knees, silent as a log, below the level of the window. The gathering fog wrapped him about. He was within easy earshot of all that passed. Inside the room Capt. Hanchette was spreading on the table a map of the eastern frontier, marked copiously with red ink lines. Over it his men bent their heads, following with eager glance the captain's tracing finger.

One of them lifted his head sharply. "There is no risk?" he queried in French.

Hanchette's voice came, serene and curt: ''None. The woman has gone to Rochefort till tonight. Maximilien is hedging a mile away. The old woman, I understand, is bedridden." For safety's sake, however, the conversation was resumed in French.

Underneath the window Jean's heart was thumping horribly against his ribs, but there was a smile on his lips. 

Mère Maximilien groped a quavering way downstairs. In the kitchen the remains of a fire burnt dully in the grate, in front of which sat the brindled cat, watching the embers with unblinking, yellow eyes. Mère Maximilien sat down in her familiar chair. From the adjacent parlour, separated from the  kitchen by a door, came a voice, intent and regular, with brief interruptions at intervals from other voices. To anyone of normal hearing every word would have been audible, but Mère Maximilien was lapped about by the roar of eternal silence. Her dark eyes, wide and unfathomable, were fixed steadily on the parlour door.

For an hour Jean crouched below the window, a cramped, fog-wetted figure, absorbing and registering breathlessly each word and sentence from the room above. Slight, salient phrases burned themselves on his mind. "Les Vosges." " Yser." " Masses of troops on the 30th." '' The Passchendaele Road.''

There was coarse laughter once at some remark about the burning of Maximilien's ramshackle house when a certain great day arrived, an outburst speedily silenced by Hanchette's curt voice. Jean ground his teeth in voiceless passion.

Capt. Hanchette stood up, and began slowly to re-fold his map. "That's all," he said quietly; "a good week's work," and added carelessly, "thanks largely to the glib tongue of that dirty fool, Maximilien."

Outside "the dirty fool" squatted, half-frozen, rime on his coat, with a glow in eyes and heart.

From the kitchen came the slight sound of Mère Maximilien's chair scraped back, as she rose to explore the house and find that truant Suzanne.  Four men in the parlour were instantly stricken to mute, expressive attitudes. In two strides Capt. Hanchette reached the kitchen door and flung it open, his men clustering at his back. He saw an old woman with enigmatical gaze, confronting him from the hearth.

Mère Maximilien's level eyes perceived, framed in the doorway, a tall, fair man in the brave uniform of France, bold, handsome, chivalrous, with ardent blue eyes that seemed to pierce her soul and wake her slumbering mentality to warm remembrance. Ah! was he not like Simon, the good Simon, her dear husband, when Simon was in the heyday of his health and strength?  A friendly glow swept through her chilled old blood. She smiled, a slow lift of the lips, in which Hanchette detected a gleam of sardonic triumph.

"Mein Gott I" he said softly," a spy." A man behind him muttered something, and at the same moment Hanchette, snatching his revolver, aimed directly at Mère Maximilien's smiling face, and fired. The cat bounded sideways at the report, while a blue smoke hung, motionless for an instant, in the air. When it cleared Mere Maximilien, who had never heard nor uttered human word, might have been seen lying, a frail crumpled heap on the hearthstones, little more immobile and detached than in life.

After the first half-startled hush one of the men turned away with a foul expression.

Outside in the gathering darkness of the late January afternoon, under cover of the loud report, Jean Maximilien, regardless of his grandmother's fate, ran, despite stiff limbs, as he had never run before in his life, the half-mile which divided his farm from Château Bas.

. . . . .

By the time Dupont's tale reached its close we were entering the outskirts of Rochefort. Château Bas lay behind us, a white and green smudge in the blue lap of the hills.

"Hanchette was really Hackmann, the Prussian spy," added Dupont as an afterthought. "The Château Bas affair finished him, though.  He was shot a week later. . . The corporal was German, too, but the others were Frenchmen right enough."

I scarcely listened. Looking over my shoulder, I perceived the stark outline of that shattered fortress which had given the hamlet its name, a mediæval fragment rearing its gaunt head out of the twentieth century, a grim guardian of decayed secrets.

"So Jean Maximilien lost his grandmother and gained something a little more substantial, I believe, than his coveted Croix de Guerre."  Dupont's voice was cynical.

But I was not thinking of Jean Maximilien, nor of the reward he got for his work pour la patrie. I was seeing again a hot and dusty road in Ardennes, and a weary troop of British Tommies, refreshed by the greengages that an inarticulate and friendly old woman had given them.




Sunday, February 18, 2024

Calabash Press publications. An update.

So here's an update on an interesting goal I've been working towards. I adore the Calabash Press titles, and decided to "catch 'em all", to use a Pokemonian phrase. I also recognized that my NUMBER ONE GOAL of collecting all books published by the Baker Street Irregulars Press was a little naive and may not ever be achievable (more on how that is going in a future post). This is an update to my original post on Calabash Press which can be found here.

The first Calabash books that really caught my attention were the 'Case Files of Sherlock Holmes' series - four of which were published, each with a collection of essays on a Sherlock story. I am also an avid follower of David Stuart Davies' work, and after reading 'The Tangled Skein' I made the connection that these wonderful books were being published by the same place (though am embarrassed to admit I'm not into vampire stories).

As I looked into other Calabash titles, I found it difficult to find more information. Based on the books published, Calabash published from around 1996-2004, were "Publishers of fine books on matters related to Sherlock Holmes and Sir Arthur Conan Doyle", and it was run by Christopher & Barbara Roden. I worked through library catalogs such as Toronto and Minnesota to build a list of all published titles, and expanded that (though not shown here) to attempt to identify which were published in hardcover, which in softcover, and which in both.

Sourcing the books in the list has of course not been straightforward. Some could be purchased immediately, but at great cost, but I've been searching patiently for reasonable prices, and am close to having a complete set. I did buy one book at a high price (well, for me it was high!) - believing I'd never see it again - and of course the lesson was that someone else was selling a much cheaper copy a week later. I'm very thankful to Chris Roden for helping me source some volumes.

My collection is not complete! There is still one volume that I'm twiddling my thumbs waiting to purchase when an affordable copy is available, and being the completist that I am doomed to be, there are publications where I do not yet have both the HC and SC copies. But I'm almost there!

 The collection so far. It breaks my mind that the 'Canadian Holmes' and 'Horror of the Heights' volumes do not have the cursive 'Calabash Press' logo at the bottom of the spine.


Below is a list of titles I've identified published by Calabash, and I'd appreciate any suggestions relating to errors. I've divided the list for convenience into Sherlockian titles, and Pastiche titles. I have to confess to having little patience for pastiches (though there are a few exceptions to that rule), but nevertheless I'm gathering all of them. I've divided this description into two sections - one for the serious studies, and one for the fiction.


Calabash Press - the Sherlockian and Doylean titles

The Case Files of Sherlock Holmes: The Musgrave Ritual, Roden, Christopher & Barbara, 1996: Collected essays on various aspects of the Holmes short story.

The Great Shadow: Arthur Conan Doyle, Brigadier Gerard, and Napoleon, Clifford S. Goldfarb, 1997: It is the argument of Goldfarb that during the great hiatus Doyle created his second most memorable character, Brigadier Etienne Gerard. A faithful adherent to Napoleon Bonaparte, and a man as gallant in the boudoir as on the battlefield, Gerard appears in 15 short stories in the Strand Magazine, later gathered in two collections, The Exploits of Brigadier Gerard (1896) and The Adventures of Gerard (1903). 

Canonical quizzes from the bootbox : twenty-five years of puzzles from the Bootmakers of Toronto, Gibson, Brian Neil. ; Roden, Barbara. ; Sanders, David. ; Wrigglesworth, Doug., 1997: The quizzes range from multiple choice through to crossword puzzles and word-searches, and are a fun way to find out how much you really do know about Sherlock Holmes and his adventures. 

The Baker Street File, Cox, Michael, 1997 (reprinted in 2002): A guide to the appearance and habits of Sherlock Holmes and Dr. Watson specially prepared for the Granada Television series The Adventures of Sherlock Holmes. 

The Case Files of Sherlock Holmes: The Speckled Band, Roden, Christopher & Barbara, 1997: Collected essays on various aspects of the Holmes short story.

Sidelights on Holmes, Hall, John, 1998: A collection of Sherlockian essays. 

The Case Files of Sherlock Holmes: The Dying Detective, Roden, Christopher & Barbara, 1998: Collected essays on various aspects of the Holmes short story. 

The Canonical Compendium, Clarkson, Stephen, 1999: Comprising a Topical Index of places, people, events, and items appearing in the Sherlockian Canon, in 80 categories and 144 subcategories, together with sixty different Story Indexes, one for each of the adventures of Sherlock Holmes.

The Case Files of Sherlock Holmes: The Blue Carbuncle, Roden, Christopher & Barbara, 1999: Collected essays on various aspects of the Holmes short story. 

Hot on the scent : a visitor's guide to the London of Sherlock Holmes, Alexander, Arthur M., 1999: A guide book to Sherlockian locations in London. 

The Transcendent Holmes, Montgomery, John Warwick., 2000: A collection of Sherlockian essays. 

Out of the shadows : the untold story of Arthur Conan Doyle's first family, Doyle, Georgina, 2004: Drawing on a storehouse of letters and diaries left by John Doyle, the author provides a detailed account of the period of ACD's life with his first wife Louise Conan Doyle and their children.

Violets & Vitriol: Essays About Sherlock Holmes and Conan Doyle, S. E. Dahlinger, 2004: The first collection of Sherlockian (and Doylean) essays penned entirely by women.

'I am inclined to think...' : musings on Sherlock Holmes and Arthur Conan Doyle, Roden, Barbara, 2004:collection of nine articles about Sherlock Holmes, Arthur Conan Doyle, and that wondrous world where it is always 1895.

The Horror Of The Heights: A Facsimile Of The Author's Holograph Manuscript With Commentary, Arthur Conan Doyle and Phil Bergem, 2004: As the title suggests, this facsimile copy of the non-Sherlock short story is accompanied by a transcription and commentary.


Calabash Press - the Pastiche and related fiction titles

Absolute discretion, Eustace, Grant, 1997: At Langston Park House, the home of the Earl of Warminster, a visitor is expected — this particular visitor is a young Oxford student who calls himself Vernet, who has been asked to make some delicate inquiries about the Earl's family. Vernet's arrival, which coincides with a search in the area for an Army deserter, proves to be the catalyst for a chain of events which solves mysteries and uncovers secrets — but also leads several people to their deaths.

Chronicles of Sherlock Holmes, Smith, Denis O., 1997: Holmes pastiches by "one of the finest modern practitioners of the Sherlock Holmes story."

Chronicles of Sherlock Holmes - Volume 2, Smith, Denis O., 1998: Holmes pastiches by "one of the finest modern practitioners of the Sherlock Holmes story."

The scroll of the dead : a Sherlock Holmes adventure, David Stuart Davies, 1998: Holmes attends a seance to unmask an impostor posing as a medium, Sebastian Melmoth, a man hell-bent on obtaining immortality after the discovery of an ancient Egyptian papyrus. It is up to Holmes and Watson to stop him and avert disaster. 

The tangled skein, David Stuart Davies, 1998: Holmes receives a potentially lethal package, the first strand in the tangled skein. A threat to Holmes' life, murders on Hampstead Heath, and a strange phantom lady lead Holmes and Watson into the most dangerous investigation they have ever undertaken - an encounter which brings them face to face with Count Dracula.

The abominable wife and other unrecorded cases of Mr. Sherlock Holmes,  Hall, John, 1998: Holmes pastiches.

As it might have been : a collection of Sherlockian parodies from unlikely sources, Adey, Robert., 1998: The thirty-eight short stories in this collection originally appeared in various, mostly obscure, papers and magazines dating back to 1893.

The shadow of the rat : a Sherlock Holmes adventure, David Stuart Davies, 1999: Detective Sherlock Holmes and his partner Dr Watson face one of their most challenging cases to stopping the Great Rat of Sumatra from spreading plague throughout Britain.

Chronicles of Sherlock Holmes - Volume Three, 1999Holmes pastiches by "one of the finest modern practitioners of the Sherlock Holmes story."

A notable interlude, Capes, Bernard, 1999: Sherlockian short story first published by Capes (1854-1918) in 1907, republished to celebrate the birthday of Mr Sherlock Holmes. Introduction by Jack Adrian. 

Sherlock Holmes-- the last act!, David Stuart Davies, 1999: Script of a one-man play that premiered in 1999 at Salisbury. It is 1914 and Holmes has just returned to Baker Street from Watson’s funeral and he feels compelled to tell his absent friend all that he should have told him when he was alive.

Knight errant : the singular adventures of Sherlock Holmes, Rubino, Jane, 2000: A collection of new Sherlock Holmes mystery cases reveals the mysterious tidbits of information that Dr. Watson never disclosed. 

The irregular casebook of Sherlock Holmes, Weighell, Ron, 2000: In THE IRREGULAR CASEBOOK OF SHERLOCK HOLMES, we encounter five cases which test Holmes's powers to the limit; strange and bizarre cases involving forces that are not of this world.

A Julian Symons Sherlockian Duet, Symons, Julian, 2000: Two short stories written by the author and former ACD Society President.

Chronicles of Sherlock Holmes - Volume Four, Smith, Denis O., 2002: Holmes pastiches by "one of the finest modern practitioners of the Sherlock Holmes story." 

The questionable parentage of Basil Grant, Broster, D. K, 2004: First published in 1905. As detectives Lang and Logan try to discover the family history of their twin-brother clients, an uexpected visitor, the sister of Mycroft and Sherlock Holmes, provides the necessary but startling facts they need.



So what don't I have?

Well, first it might be clear from the photograph above that I'm collecting both softcover and hardcover editions of all Calabash publications, where relevant. So there's an element of filling gaps in the collecting task.

I still need to find hardcover editions of the first two Smith pastiche volumes and Ron Weighell's irregular casebook.

The volume I still need to find is Barbara Roden's collection of Sherlockian essays.


Saturday, February 10, 2024

Dorothy Violet Bowers, novelist (1902-1948)

I published the following post in August 2020 on a blog I keep for random genealogy/history research (https://randomfh.blogspot.com/2021/07/dorothy-violet-bowers-novelist-1902-1948.html). Given that I now have a 221B blog post for (mainly) Sherlockian activities, I've decided to review and revise that post and share it here. Since this blog post, there has been one or two other articles on Bowers the leveraged a lot of information from my post, including this podcast (https://shedunnitshow.com/themysteriousdorothybowerstranscript). I've continued to look for information on Dorothy, but really not had any luck adding to the original post. Nevertheless I've reviewed the blog post and added one or two pieces here. I have still not found a photograph or grave for Dorothy.


I am enamored with the mystery writing of Dorothy Bowers (1902-1948). Bowers published five ‘golden age’-style mystery novels in a career interrupted by World War 2, and died aged 46 in 1948 from tuberculosis, shortly after being inducted into the famed Detection Club. Several web sites state that Bower died with the "satisfaction of knowing that she had just been inducted into the Detection Club", though the nature of Bower's engagement with members of the Detection Club isn't known.

I have found little biographical information on Dorothy’s life, and as far as I can ascertain, no photo of Dorothy is known to exist. I cannot identify where she is buried (or rather, the fate of her remains). I also desired to know what happened to Dorothy’s estate and any unpublished writings or draft manuscripts from her novels. Did Dorothy publish murder-mystery short stories? If not, why not?

I hope this post can stimulate the creation of a Wikipedia page for Bowers also.

I pieced together this post with the primary sources I could find as a starting point, and hope others that find this can point me to archives or resources. I spent a significant amount of time looking into probate, death certificates, and cemetery records, in the hope I could trace the family, and clues to living family connections.

While this post won’t describe or critique Bowers’ writings, the five novels she published were:
- Postscript To Poison (1938)
- Shadows Before (1939)
- A Deed Without A Name (1940)
- Fear For Miss Betony (1941)
- The Bells at Old Bailey (1947)

The first four novels featured the character Inspector Pardoe of Scotland Yard. When her fifth novel 'The Bells at Old Bailey' was published after a six year pause, and with a new Detective.

The best (only?) biographical sketch of Bowers appears in the 1948 book “More Monmouthshire Writers” by W.J.T. Collins (R.H. Johns Ltd., Newport, Mon, Wales). The book contains biographies of thirty-nine writers from Monmouthshire, some long-since deceased, and others (like Bowers) living at the time. One gets the sense that some biographies have the hand of the subject themself in their biographies, or are at least the product of material provided by the subject. In the Foreword, Collins defends the inclusion of “little-known contemporary writers” in the volume as “I feel they deserve recognition and such remembrance as an anthology gives when the original works are “out of print” or forgotten except by faithful friends or relatives”. The entry on Bowers contains extensive quotes from Bowers’ work, and I have created an abbreviated summary of that chapter here (primarily excluding literary discussion, to focus on biographical details):

Dorothy Bowers
    Monmouthshire claims Bowers by reason of lifelong association. Born at nearby Leominster (Herefordshire) on June 11, 1902, a hunger for knowledge and love of the printed word was in her blood, inherited from her paternal grandfather, a shoemaker, whose passion for reading remained always unsatisfied because he could not afford to buy the books he craved. So great was his longing for reading matter that he would retrieve any blown piece of newspaper that came his way and, however torn or soiled it might be, fold and brush it carefully, lovingly, that he might at pleasure feast even on a fragment of the printed word. This passion for reading he transmitted to his son, Albert Edward Bowers, and Miss Bowers' earliest memories go back to the exciting and catholic jumble of books that was her father’s library - a monument to his self-denial of other indulgences as it was to the range and discrimination of his literary explorations. It is interesting to note that this collection included early and much-thumbed editions of Sherlock Holmes stories. With such an ancestry - her mother too comes of a family whose individual members revealed, without the opportunity of developing it, uncommon creative talent in drawing and painting, -and such an environment, it was natural that from early years Dorothy Bowers set herself to become a writer. She was a year old when her father settled in Monmouth, whose woods and meadows, rivers, and birds and old stones, have shaped, she says, so much of her mental and spiritual life. There he was in business till 1936, and in 1943 he died, one of the best-known, best-loved men in the town.

    Her debt to formal education is considerable. First, there was a French convent school, where she acquired method, precision, and an abiding delight in the orderly and formal arrangement of ideas, and even of material objects - a sense of pattern and symmetry. Monmouth School for Girls provided her secondary schooling, and to its teaching of history and literature she says she largely owes a sense of continuity that is at once an excitement and a consolation. She was a day girl there till she went up to Oxford in 1922, and as a member of the Society of Oxford Home Students (now St. Anne’s) read History and took an Honors degree in the School of Modern History in 1926. For a time she taught intermittently in a boarding scholar two, though not as a resident member of the staff for which she remains grateful ; was occasionally a relief teacher at her old school during absences of the regular staff ; was governess to a succession of children, and learned more, she confesses, from spasmodic and unsuccessful efforts at teach than ever she imparted, not least among the lessons that there was no occupation to be found she would not prefer to a teacher’s. She abhors and condemn’s the conventional life, not only in its academic manifestations, but any such life lived on a collective and monosexual basis. 

Her short story, “The Spy at Chateau Bas” was published in the now defunct “English Review” ; poems were published, and in 1938 her first novel was published. Early interested in criminology, and compiler of the more abstruse and cryptic type of crossword puzzles (for "John O’London's Weekly” 1936-1943, and for “Country Life” 1940-1946, during the absence in the Navy of their former crossword correspondent), it was not surprising that her creative powers turned to novels of crime and detection.

One of her hobbies is bird-watching, and she selects from the open book of nature and the clasped book  of the specialist a fact, a name, a parallel, which supplied on of the minor mysteries of “A Deed Without A Name,” and explains why one of her characters persistently drew and modeled the representation of a little-known bird.
    
Like many another creative artist, Miss Bowers found that the war cramped her powers, limited her opportunities, and diverted her from the chosen path. There was work to be done, however - in the Inquiries Bureau of the National Book Council (now the National Book League), in the European News Service of the B.B.C., and of course in the maze of crosswords. But when the war was over she started again, and her fifth novel was included in Hodder and Stoughton’s autumn list (1946). Poetry from her pen has appeared in “John o’London's Weekly”, “The Observer”, and the now defunct “Everyman”. Three of her poems have been included in “Saturday to Monday” (published by Newnes). 

Miss Bowers is a life member of the Society for Psychical Research ; among her hobbies are insect and plant life (her father was a notable amateur gardener) and the study of Seventeenth Century history and art. Though from the age of thirteen months, till a few years ago, Monmouth was her home continuously, she once confessed that her ambition was to live near Oxford and the Bodleian Library.


The biography above is rich in information, and was published in 1948, the year of Bowers’ death at 46 of tuberculosis. At the time she had been inducted into the Detection Club (not mentioned in the biography), though whether she attended a meeting is to be determined. A Pan Books softcover issue of "Deed Without A Name" was issued in 1948, and the biography on the back cover states Dorothy was elected to the "exclusive" Detection Club. 

And so, I’ll start with the end, and attempt here to complement the information on Dorothy’s career arc with primary records I can find on her life and family. Genealogic research reveals is that Dorothy had no children, and her two siblings likewise did not produce issue. So as her family line has ended, where did her photos, letters, papers, drafts, and diaries end up?

Bowers’ parents Albert Edward BOWERS (born Colwall Hereford) and Annie Marie DEAN (born Hereford City) were both English, married in 1896 in the Hereford registration district (that also embraces Monmouth). They evidently settled in Leominster, Hereford, as the 1901 census shows that Albert, a ‘baker and confectioner’ was operating on his ‘own account’, living at Etnam St, Leominster. Today, Etnam St contains a mix of residential and stores that appear largely original. Their first daughter Gwendoline Lilian was born in Leominster in 1897, and was aged 4.

1901 Census for Leominster, Hereford


By 1911, Annie and Albert had two more daughters. Dorothy Violet (second of three) was born in Leominster in 1902, and Evelyn May was born in Monmouth in 1904, by which time the family had moved there (Bowers’ biography claims 13 months of age, which fits). The birth records match with the 1911 census, where the family of five are living in a 6-room dwelling on Agincourt St, Monmouth, a dog-legged  narrow lane of stores. Albert's mother Anne was also living with the family.

1911 Census for A E Bowers, Agincourt St, Monmouth


We can find her arriving in Oxford, on "The Term's Freshmen Full List" as D.V. Bowers as part of the Society of Home Students in 1923. Women were first admitted for degrees at Oxford in 1920, and the Society was an association rather than a brick-and-mortar college, that allowed women to live in Oxford (in their own lodgings) and attend lectures. The Society evolved into St Anne's College at Oxford.

Oxford Chronicle and Reading Gazette - Friday 19 October 1923



Following here time at Oxford, the biography above indicates that Dorothy had several postings as a teacher, but ultimately returned to Monmouth with her parents.  In 1927, Bowers published the short story "The Spy of Chateau Bas" in the English Review (1927, p619).  It seems reasonable to assume that Dorothy's time at a French Convent School informed components this story, which is more espionage thriller than mystery. It also appears to be the only short story published by Bowers previous to her five novels.



The Daily News (London) for Wednesday 6th February 1935 ran a letter from Dorothy commenting on a quote by Gracie Fields, one of the highest-paid actors of the 1930s:

FEW people, one Imagines, will be impressed by Miss Gracie Fields's avowed preference for a cottage and 10s. a week to a salary approximately 3,000 times greater. The acquisition of so meagre a blessing ' as she desires should be within easy reach. The envied possessors of such would in most cases place no obstacle in the way of exchange. In the case of a film actress a distasteful £1,500 a week can be foregone by a moment's decision a bare subsistence wage. on the other hand. may not show one penny's increase by a lifetime's struggle. Since Miss Fields has made the "contract one must presume it is acceptable to her. Honest pleasure in it on her part would therefore be both more appropriate and more appealing. DOROTHY BOWERS. Westbury House, Monmouth.

Bowers was also publishing poetry, such as this piece in Devon's Western Morning News - Thursday 08 August 1935:



The next time-point identified for Dorothy was the death of her sister Gwendoline Lilian on 22 Feb 1936. Gwendoline died aged about 39 at the family home Westbury, Dixton Rd, Monmouth. As Gwendoline died intestate, it is possible she died with little warning, and administration of her estate was awarded to her father Albert.


Westbury House was a substantial residence, and remains in Monmouth, appearing to operate in 2021 as a child-care center.


With the initiation of World War 2, a civilian register was compiled in England & Wales, and Dorothy was entered living with her parents at Westbury. In 1939, Dorothy was single with the occupation "Author (Novelist)", which was indeed the case by that time, with Postscript To Poison published in 1938, and Shadows Before in 1939. Albert was now 70 and retired, and Annie was 69. 

1939 Register


Precisely where Dorothy lived during World War 2 is not clear, or perhaps it's more appropriate to say that Dorothy may have lived in multiple places.

Entries in Proceedings of the Society for Psychical Research for 1940-1946 list Bowers living at 7 Chester Avenue, Tupsley (where she died in 1948). I contacted the Society for Psychical Research (it still exists!) and their secretary confirmed that "Our records show that she joined as a new member in November 1945, as a Full Member. This would be either she was selected by our Council as being of special interest to the Society or because she joined as a Life Member. There is... no record of her in any papers published by the Society, either about her or by her."

A compilation of memoirs of children evacuated  during World War 2 (https://www.bbc.co.uk/history/ww2peopleswar/stories/98/a4198098.shtml ) place Dorothy in Monmouth. Rita Doughty nee Kohler described that in June 1940 she was billeted to Monmouth:

"I just remember us going to bed, and the lady asking us what we wanted to call her. We decided we would call her Auntie Dorothy. The next morning, I opened the front door and the sun was shining, and the view was of The Kymin, and it was a fantastic sight. Dorothy Bowers was an author who wrote detective stories, including A Deed without a Name, Fear for Miss Betony. I was there for thirteen months, then I had to go to another billet as her father was ill."



Dorothy's father was indeed ill, and he died on the 4th of November 1943 at Westbury House, with a not immodest probate awarded to Dorothy.  Dorothy's third residence for WW2 appears in Albert's probate package, where Dorothy is listed as "of 84 Nightingale Lane, Balham, London SW12".  Albert left a legacy of 200 pounds to his wife, and the residual (majority) of the estate to be divided between his two living daughters (Dorothy and Evelyn). I looked for Albert's burial (hoping that Dorothy may too be there), and Rhian Jackson from Monmouth Archives was kind enough to let me know that Albert Edward Bowers "aged 73 buried 8.11.1943" shows a burial register entry number of 1576/43 - but the burial register is held at Gwent Archives and I'm hoping to learn more from them.

While there was a gap in published books from 1941 to 1947, there is a curious advertisement from Hodder & Stoughton in Bookseller (Thursday 24 February 1944) for Bowers book that was never published. Was this ever submitted to H&S and is it perhaps unpublished in their archives? Or was it decided it wasn't fit for publication?


MURDER IS FOLLY
 by Dorothy Bowers. The author of Fear for Miss Betony with another choice, well-bodied case of murder; murder to save the smug name of the Foleys.

In 1947, after a six year break from publishing, Dorothy published "The Bells of Old Bailey", her last novel. That same year, Dorothy's mother died. Annie's death was registered in Hereford, and it is possible she died in Tupsley (Herefordshire, about 20 miles from Monmouth) where Dorothy lived. Annie had no probate registered (that can be found), no newspaper notice of her decease has been found, and I have not yet identified where she is buried.

The following year, Dorothy was apparently inducted into the Murder Club, and died on the 29th August, 1948 at her home 7 Chester Avenue. She was aged 46 years and is listed in her death certificate as "Spinster. Authoress. Daughter of Albert Edward Bowers, a confectioner Retired Deceased)". The cause of death was two-fold: acute miliary tuberculosis, and tuberculosis of caecum. TB is a bacterial infection primarily of the lungs, and miliary infection is usually diagnosed based on x-ray appearance of nodules and causes a general slow decline with symptoms such as occasional fever, weight less, & weakness. Tuberculosis of caecum was a description for TB infection of the gut, and diagnosed based on symptoms such as lower abdominal pain. Bowers had probably suffered from TB infection for a significant period. Treatment options were largely restricted to rest and recuperation, and monitoring disease by x-rays (of lungs). A contemporary diary of a female patient in a British sanatorium gives a sense of the patient experience (Tuberculosis sanatorium regimen in the 1940s: a patient's personal diary, https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1079536/ ), though there is no evidence that Dorothy stayed at such a facility.



Of note, the informant on Dorothy's death certificate was her only remaining close relative, her sister Evelyn May Bowers, 'present at the death'. There was not any significant notice of the demise of Dorothy Bowers in the press. A family death notice was posted in the Gloucestershire Echo that provides a family connection (a maternal aunt or uncle, mother's maiden name was DEAN), and some insight into the suffering Dorothy endured, and the probate notice.

Gloucestershire Echo - Tuesday 31 August 1948



BOWERS - On August 29th, at Chester Avenue, Tupsley, Hereford, Dorothy, late of Monmouth, dearly loved niece of L. Dean, Montpellier-terrace, Cheltenham, after much suffering bravely borne.
Gloucester Citizen Saturday 23 April 1949



£3,850 WILL
Miss Dorothy Violet Bowers, of 7, Chester-avenue, Tupsley, Hereford, the detective novelist, who died on August 29 last, left 3,830 9s. 2d. gross, 3.131 Is. net value. Probate has been granted to her sister, Miss Evelyn M. Bowers, of 93 Epsom-rd, Sutton, Surrey, and John Pigott of Chester-avenue, Tupsley.

So far, the searches of burials in Monmouth, and at Tupsley parish, have failed to yield a burial. I have not found a burial for her mother Annie either, and have seen it written that they are buried together - and records in Monmouth indicate they are not buried with their father.

Dorothy's will was administered by Dorothy's sister Evelyn ("spinster") and John Pigott, an omnibus conductor who lived at the same address as Dorothy. The will
  • instructs Evelyn to distribute her 'personal chattels' (did this include her manuscripts???) "in accordance with my wishes that I have made known to her"
  • bequeathed to 'my friend Gwendoline Davies of Number 2 Moorfields street Hereford' a legacy of 100 pounds
  • left her home, 7 Chester Avenue, Tupsley, to John Pigott
  • The residue of her estate was left to her sister Evelyn

And so, with Dorothy's will, her belongings were distributed, but it seems reasonable to assume her sister Evelyn may have inherited or taken responsibility for her manuscripts {a side-note: Evelyn published at least one short story herself, in the Burton Observer, June 26, 1930, "David Goes To School"}. Evelyn herself ultimately returned to Monmouth to live, residing at 'Greystones', The Parade, Monmouth, and passing away in 1978 aged 72. Evelyn's was buried in Monmouth, her ashes were interred in the grave of Emma Jane C English on 9th March 1978 (Grave plot number LoF OZC0014 - but apparently no headstone). Emma Jane English died in late 1977 (Pontypool, 28, 1013, born in 1889) and the connection to Evelyn - if any - is not known.


Evelyn's will suggests that she had no strong family connections, and the Bowers family threads seem to end with her. Evelyn's estate was distributed to a friend ('Miss Mary Mervyn of Greystones'), to the Priest of St. Mary of the Assumption St Mary's St Monmouth (a Catholic parish, curiously), four different charities for animals, to the Leonard Cheshire Foundation (supporting disabled people to live independently), and her personal effects to Emma English (who predeceased her) and thence Mary Mervyn. Her home, Greystones, was to be sold, and along with all residue of the estate, divided between Mary Mervyn, and three charities. What became of Mary and Greystones? The house still stands it appears, but I have not traced Mary.


And John Pigott? Well it is not clear exactly what his fate was: 'a bus driver in the employ of a Birmingham company'. Certainly he appears to have rejected life lived on a monosexual basis, as he appeared in Gloucester Divorce Court as a co-respondent in 1949 (The Citizen, July 15, 1949), ordered to pay damages to the husband of Eleanor O'Neill. I can find no further trace of him, and Chester-avenue Tupsley appears to not exist (renamed perhaps?).

Dorothy Bowers' five novels offer a great deal of insight into her life, and I look forward to using this biographical information to make connections to the inspiration for characters and circumstances in her novels.

Perhaps this blog post will help unearth a family connection of Dorothy, with manuscripts, or just as exciting - a photograph of Dorothy Bowers.

Saturday, February 3, 2024

Mrs. Hudson and the Return of Sherlock Holmes

At the Baker Street Irregulars weekend in New York,  one of the highlights is the Gillette Memorial Luncheon on the Friday. The luncheon has a long history (https://www.ihearofsherlock.com/2015/10/the-gillette-luncheon-has-new-home.html) and is now organized each year by Shana Carter.

Due to an over-booked table, I was moved at short notice to a table at the far end of the room, and found myself sitting at the 'grown ups' table of highly accomplished people, with Shana, Ray Betzner, Curtis Armstrong, Ken Ludwig, Ashley Polasek, and Ira Matetsky. It quickly became clear to me that something was afoot. This year there were two short dramatic performances during the luncheon, and many at my table were reviewing scripts and Ken Ludwig was practicing the art of placing a black dot on his forehead. What was going on?? 

Well, it turns out they were preparing to perform the world premiere of a short play written by Ray Betzner, titled 'Mrs. Hudson and the Return of Sherlock Holmes'. What really happened when Holmes returned from The Great Hiatus and greeted Mrs. Hudson at 221B? Ray's play answers that question. 

The cast was Curtis Armstrong as Sherlock Holmes, Ashley Polasek as Mrs Hudson, and Ken Ludwig as 'The Bust' (or Dummy) in the window. Ray Betzner also played an off-stage role as Sebastian Moran firing a prop gun.

What does this have to do with me? Well when the performers were preparing, it turns out I was sitting in a good position to record it, and with the permission of the performers I did so. My good mate Kyle Brimacombe subsequently helped turn an iPhone video into one with a title screen and credits, and with agreement from all Alan Rettig posted this performance on the Red Circle (https://www.redcircledc.org) Youtube page for all to enjoy:

At lunch, I asked Ray about the inspiration for the play and he shared this backstory: 

"The day after the Sons of the Copper Beeches meeting in April (2023), a small gang of us went out to breakfast. Curtis and Ashley were entertaining us, as usual, and Ashley started with her masterful Scottish accent. I tucked that away. A few weeks later I was thinking of a toast for Mrs. Hudson, and recalled doing a toast many years ago as a very angry Mrs. Hudson muttering as she crawled across the floor in EMPT. Those were the sparks."

Thomas P Bellchambers - new article in the Passenger's Log

I was pleased to receive the latest issue of the Passenger's Log, the journal of the Sydney Passengers. It contains my second article on...